A flock of Concrete Blocks

My faithful blog readers deserve to be way ahead of the curve in regards to the twists and turns of my artistic output. As promised when I started this blog, I want to share with you any new directions that I am considering. This is a risk for an artist, because once a series of paintings is proposed, it is at the mercy of people’s opinions, both positive and negative. Every comment that an artist hears about a work in progress has the power to affect the artwork. In the interest of full disclosure, however, I will take that risk. So, in the foreseeable future, my next major series will be (insert drum roll): A Flock of Concrete Blocks.

What you see above is a "sketch" of the concept, which is how I always start my paintings. I will do many of these before I choose my first flock. A simple line drawing is all I need. The textures will be added as I actually paint the cement blocks on my silk.  The painting will be mounted on a shaped panel. This is an example of a finished painting:

DNA   acrylic on silk, mounted on shaped panel   48 x 70 inches

For now, I am playing with design and relationships. In this series, I obviously removed the constraints of gravity. My concrete blocks will tumble and float and intermingle across the expanse of a large wall. The scale of each will be much larger than life. They will appear light and feel heavy at the same time. Each block will be a separate painting, and then hung on the venue wall to form the flock. As usual, each painting will be shaped like the concrete block itself. If two or more blocks overlap, they will be done as one painting.

This series presents many challenges, but I am extremely excited to give it a try. It will take many months to complete, and you will be with me at each stage.  Oh, and if you know anyone with a large, vacant wall, please let me know.

Thank you so much for taking the time to read my blog. If you are a fan of cement, I invite you to visit my website: AddictedToWalls.com. I would love to hear from you, so please don't be shy and leave a comment. Take care, and watch out for those flocks of cinder blocks.

Boca Raton Museum of Art's "60th Annual All Florida Juried Competition and Exhibition"

The annual show at the Boca Raton Museum of Art  is always my most anticipated event, if I'm fortunate enough to be chosen. This year's curator was Dr. Valerie Leeds of the Flint Institute of Art, who culled through 1800 submissions to choose 101 for the show. My painting, Naked, which was discussed in an earlier blog, made its public debut.

Nolan Haan                                Naked                                   Mitchell Lambert

What artists appreciate most about this show is that each painting is hung and lit perfectly. The curators carefully transition from one painting to the next, cognizant of how the artwork relates visually to its neighbors. The opening reception was well attended, and the concrete block name tags worn by my friends (as seen in photo above) made quite the impression. Branding efforts were in high gear!

"All Florida Exhibition" at the Boca Raton Museum of Art

Although I did not win an award, my friend Virginia Fifield won the prestigious merit award for her stunning charcoal entitled "Contemplations of Life, Death, and Beauty." Congratulations Virginia.

This concludes my blog for this Sunday. Thank you for taking the time to visit, and please come back often. If you have any questions or comments, I'd love to hear from you. To see more images of my artwork, please visit AddictedToWalls.com. Take care, and have an eventful week.