Showing posts with label nolan haan. Show all posts
Showing posts with label nolan haan. Show all posts

Saturday, August 18, 2012

Concrete Block: an autobiography

I taught myself to paint while serving as a Peace Corps volunteer in Western Samoa. Since my first painting was a portrait of a student (I was a science teacher,)  I was imprinted on portraiture. Throughout my art career, it's always been my first love. For a decade, I traveled the world and did character studies of indigenous people: 
Morning in Samoa   by Nolan Haan     24 x 36 inches   oil on canvas

When I returned to the United States, I became a wildlife artist and specialized in portraits of birds:
Nolan Haan     Peacock   oil on panel     40 x 60 inches
When I finally dedicated myself to contemporary art and began doing paintings of concrete block walls, it was inevitable that I would eventually paint portraits of cement blocks.

What?

When asked at cocktail parties what I do, my answer is "I paint portraits of concrete blocks." As you can imagine, this is usually met with a glassy stare and a hasty retreat. I draw strength knowing that Andy Warhol once had to say, "I do paintings of Campbell's  soup cans." And we all know how that turned out. On occasion, however, someone will ask the logical next question, "Why?"

It took me a long time to answer that question, to realize that these concrete blocks were actually portraits of myself. I never painted a traditional self-portrait, always reluctant to reveal so much about myself. Subconsciously, I was using concrete as a diary. One by one,  the cement blocks were documenting my emotions, my states of mind--my life. My concrete alter ego is less self-conscious, so honesty comes more easily. A life story told in the language of cement...
Close to Silence     acrylic on silk, mounted on hardboard    70 x 40 inches
This series showcases the sculptural integrity of individual blocks, often rendered larger-than-life. The process begins with two questions: "What do I wish to convey about myself?" followed by, "How can concrete block convey this emotion?"

Since they look so 3-D, most viewers go first to the technical aspect of the work. My hope is that the content will also be explored. I want viewers to see something of themselves reflected back.

Nolan Haan in his studio, holding Close to Silence
When asked for a picture of myself in my studio for a forthcoming book, TENWORDSANDONESHOT, this was my submission. (The painting is ready to be mounted on a piece of hardboard cut to the exact shape of the block.) It was a relief to have the concrete block speak on my behalf.

Thank you for taking the time to read by blog. Please bookmark this page so you can find me again. If you have any feedback or questions, feel free to post here or email me at nolanhaan@att.net. Also, my website is awaiting your visit at www.AddictedToWalls.com. Take care, and have a productive week.

Sunday, July 24, 2011

The Physically Impaired

 How do you respond when you encounter a person who suffers from a physical deformity? My first "flock of cinder blocks" will explore my personal reactions--none of which I am proud of. As I work on this series of ten paintings, I will study the psychology of discrimination and share these findings with you. My original, "uneducated" design is shown in the blog entry below. After much soul searching, I determined that, depending on the severity of the deformity, I respond in one of three distinct ways: repulsion (avoidance), indifference (usually feigned,) and curiosity. My cinder block alter egos represent these reactions to the physically impaired. I completed the star of the series today. One of the perks of reading my blog is being among the first in the world to see my new artwork.

Warning: the painting below is not for the faint of heart and may be disturbing to some viewers. It is recommended for mature audiences.

The Physically Impaired     acrylic on silk, mounted on shaped panel   28 x 38 inches   Nolan Haan 
Obviously, seeing a physically challenged cinder block is much easier to bear than if it were a human being depicted. This is precisely why I work with cement blocks. Viewers are less shocked and will spend more time exploring delicate subject matter if not confronted with the human form. A person missing a third of his body would be uncomfortable to look at for most audiences. Our degree of empathy is less powerful when the subject is cement.

Note: to see this painting in progress, please scroll down and read earlier posts.

My blog next week will feature the first of the cinder block reactions to the unfortunate one shown above. Thank you for taking the time to read my blog, and please leave a comment if you feel inclined. As usual, I ask that you bookmark this page and share with your friends on Facebook and Twitter. This week I revamped my website: AddictedToWalls.com, so please visit. Take care and have a prejudice-free week.

Sunday, July 3, 2011

Boca Raton Museum of Art's "60th Annual All Florida Juried Competition and Exhibition"

The annual show at the Boca Raton Museum of Art  is always my most anticipated event, if I'm fortunate enough to be chosen. This year's curator was Dr. Valerie Leeds of the Flint Institute of Art, who culled through 1800 submissions to choose 101 for the show. My painting, Naked, which was discussed in an earlier blog, made its public debut.

Nolan Haan                                Naked                                   Mitchell Lambert
What artists appreciate most about this show is that each painting is hung and lit perfectly. The curators carefully transition from one painting to the next, cognizant of how the artwork relates visually to its neighbors. The opening reception was well attended, and the concrete block name tags worn by my friends (as seen in photo above) made quite the impression. Branding efforts were in high gear!
"All Florida Exhibition" at the Boca Raton Museum of Art
Although I did not win an award, my friend Virginia Fifield won the prestigious merit award for her stunning charcoal entitled "Contemplations of Life, Death, and Beauty." Congratulations Virginia.

This concludes my blog for this Sunday. Thank you for taking the time to visit, and please come back often. If you have any questions or comments, I'd love to hear from you. To see more images of my artwork, please visit AddictedToWalls.com. Take care, and have an eventful week.